In 2009 after Mad Duck’s Coriolanus, I put producing and directing Shakespeare aside in order to pursue other work in new practices including large theatre, new play and translation development and multi-disciplinary work. The remarkable discovery was that my work on Shakespeare had greatly prepared me for work in all these forms.
In my own practice with Shakespeare, I originally embraced modern dress. This was done for several reasons including budget.
One of the challenges in many of Shakespeare’s plays, especially the histories, is the fighting.
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Canadian Theatre across the country (2012)