The Poet’s Obligation by Pablo Neruda
To whoever is not listening to the sea
this Friday morning, to whoever is cooped up
in house or office, factory or woman
or street or mine or harsh prison cell:
to him I come,
To whoever is not listening to the sea
this Friday morning, to whoever is cooped up
in house or office, factory or woman
or street or mine or harsh prison cell:
to him I come,
Playwrights’ Workshop Montreal, Theatre Conspiracy & The Magnetic North Theatre Festival
“Even though it may be a general audition the theatre will probably be looking to cast the season they’ve announced. If there’s something the actor thinks they’re appropriate for they should attempt to do everything possible to win the role by tailoring the choice of monologue to the role they think they’re right for.” – George Pothitos, Artistic Director of Neptune Theatre (Halifax)
“Generally, I just really enjoy it when actors come in with a positive attitude and are excited to share their work with us. That makes it a pleasure to audition them and a good experience for us as well…if actors are relaxed and are able to share who they are with us, the chances of us using them is much better. “ – Mieko Ouchi, Artistic Director of Concrete Theatre (Edmonton)
“The General Audition“
I never expect anyone to be brilliant in an audition. It is almost an impossibility. Was anyone ever brilliant while acting with a chair? What I do hope to find someone who seems capable and someone with whom I might want to spend four weeks in a rehearsal hall” – Michael Shamata, Artistic Director of The Belfry Theatre, (Victoria)