by paterson_john@hotmail.com | May 2, 2022 | 2022, Landing Page, News
Since 1634, The Oberammergauer Passionsspiele passion play has been performed every 10 years by the inhabitants of the village of Oberammergau, Germany. The earliest continuous survivor of the age of Christian religions vernacular drama, it is one of the longest running western performing arts tradition.
by paterson_john@hotmail.com | Jun 7, 2022 | 2022, Landing Page, News
I am thrilled to share The Ballad of George Boivin (Western Gold Theatre) has been nominated for three 21/22 Jessie Richardson Theatre Awards – Outstanding Direction, Outstanding Set Design (Glenn Macdonald) and Outstanding Video Design (Joel Grinke). Theatre is by…
by paterson_john@hotmail.com | Jun 30, 2022 | 2022, Current, Landing Page, News
Towards a truly national theatre in both official languages.
In 2020, five Canadian playwrights in both official languages (French & English) were nominated for the Siminovitch Prize, Canada’s top theatre award. Each of these playwrights represents a leading voice in Canadian playwriting as nominated by their peers.
by paterson_john@hotmail.com | Sep 6, 2022 | 2022, Landing Page, News
Trina Davies’ Silence is featured in Super Abile INAILE magazine.
Super Abile INAILE is the monthly online and print magazine of Super Able, a resource and service centre for disability issues. The article, DISABILITÀ E TEATRO by Antonella Patete, examines and showcases artists, companies, stories and characters in the Italian Disability Theatre Arts.
by paterson_john@hotmail.com | May 4, 2022 | 2022, Landing Page, News
By Marie-Claude Garneau, Marie-Ève Milot & Marie-Claude St-Laurent
Translated to Italian by Carolina Migli
Sunday, May 8, 2022 | 9 PM
Teatro Trieste 34 (Via Trieste 34 – 29122 Piacenza, Italy)
“…the revival of Quebec’s feminist theatre, a vibrant homage to a woman’s place to challenge everything…” – Le Devoir
by paterson_john@hotmail.com | Apr 21, 2022 | 2022, Landing Page, News
Frammenti da SILENZIO
By Tina Davies | Translated to Italian by Carolina Migli
“A concrete hope that accessibility and inclusion can become a priority focus also for Italian theater.”
– Micaela Ghisoni, www.piacenzasera.it