Producing 2016: Theatre503 Resident Producer (London, UK)
A four month Production Residency with the Olivier Award winning New Play House Theatre503
2015 in Review
2015 IN REVIEW January – February Directing: THE LIST Written by Jennifer Tremblay Translated by Shelley Tepperman Ruby Slippers Theatre in Association with BoucheWHACKED! Studio 16 (Vancouver) Featuring France Perras | Set and Lights by John Webber | Costumes...
Producing: The Governor General Award Plays Project: Age of Minority (Ottawa, CAN)
June 13, 2015
Canada’s Magnetic North Festival
National Arts Centre 4th Stage
FREE EVENT
Building an Ensemble
Although prepared with at least two solutions in the back pocket, the group work has invariable proved to create a more interesting result.
On Verse and Prose: Why do Shakespeare’s Characters Speak It?
He feeds his characters with a heartbeat, a breathing pattern, and if you follow first folio work as I do, a whole series of clues and movements that allow the language to physically and internally move the actor.Â
Shakespeare the International
What makes Shakespeare international? Why are artists from non-western or Anglo cultures compelled to adapt his stories? Why are his plays done across the world in different languages? If one does not understand the words, how does one know if it’s any good?