Building an Ensemble
Although prepared with at least two solutions in the back pocket, the group work has invariable proved to create a more interesting result.
On Verse and Prose: Why do Shakespeare’s Characters Speak It?
He feeds his characters with a heartbeat, a breathing pattern, and if you follow first folio work as I do, a whole series of clues and movements that allow the language to physically and internally move the actor.
Shakespeare the International
What makes Shakespeare international? Why are artists from non-western or Anglo cultures compelled to adapt his stories? Why are his plays done across the world in different languages? If one does not understand the words, how does one know if it’s any good?
Production & Translation 2015: Ta Gueule Translation Workshop & Reading Series 2015 (Vancouver, CAN)
PAY WHAT YOU CAN
Contemporary works in translation from across Canada
May 30 & 31
2014 in Review
A Year of Directing, Professional Development, Acting, New Works, Devising, Cross Disciplinary
Professional Development 2014: Balinese Performing Arts
“…take the time to take in the details or you might miss something beautiful.” – Mr. Agung Rai, the founder of ARMA Foundation and Museum