NEWS & BLOG
Projects. Labs. Articles. Thoughts & Inspirations.Blog
NEWS & PROJECTS
Celebrating the 2024-2025 Korea-Canada Year of Cultural Exchanges
“…an unforgettable performance! Blending powerful storytelling with youthful energy and cross-cultural collaboration…”
– Embassy of Canada (Korea)
뮤지컬 R;LINK THE MUSICAL
Written & Directed by 김가람 Kim Ga-ram
Co-Written with Tyrone Perreault (Cowessess First Nation)
Composed by 김준호 Kim Jun-ho
Seoul, Korea: July 26 & 27, 2025
Vancouver, Canada: Aug. 15 & 16, 2025
The Creatus Project featured at CART2025 Conference (CAN)
Julia Henderson presents a paper on The Creatus Project at Canada’s leading Theatre Research conference.
May 26-27, 2025
Sharing Creative Access Practices at The All Inclusive Kongress (DE)
Conference on the state of contemporary disability & inclusive performing arts in independent theatre in Europe.
May 22.- 24, 2025
On Verse and Prose: Why do Shakespeare’s Characters Speak It?
He feeds his characters with a heartbeat, a breathing pattern, and if you follow first folio work as I do, a whole series of clues and movements that allow the language to physically and internally move the actor.
Shakespeare the International
What makes Shakespeare international? Why are artists from non-western or Anglo cultures compelled to adapt his stories? Why are his plays done across the world in different languages? If one does not understand the words, how does one know if it’s any good?
Production & Translation 2015: Ta Gueule Translation Workshop & Reading Series 2015 (Vancouver, CAN)
PAY WHAT YOU CAN
Contemporary works in translation from across Canada
May 30 & 31
2014 in Review
A Year of Directing, Professional Development, Acting, New Works, Devising, Cross Disciplinary
Professional Development 2014: Balinese Performing Arts
“…take the time to take in the details or you might miss something beautiful.” – Mr. Agung Rai, the founder of ARMA Foundation and Museum
Production 2014: BoucheWHACKED!
Contemporary works in translation from across Canada
Professional Development 2014: G.I.T.I.S. (Moscow, RU)
The Stanislavski System and Meyerhold’s Biomechanics
2013 in Review
Professional Development, Producing, Dramaturgy, Translation & Filmaking
From Behind the Table: General Auditions
“The General Audition“
I never expect anyone to be brilliant in an audition. It is almost an impossibility. Was anyone ever brilliant while acting with a chair? What I do hope to find someone who seems capable and someone with whom I might want to spend four weeks in a rehearsal hall” – Michael Shamata, Artistic Director of The Belfry Theatre, (Victoria)
From Behind the Table: The General Auditions Part 3 – Monologue Choices and Presentation
“Even though it may be a general audition the theatre will probably be looking to cast the season they’ve announced. If there’s something the actor thinks they’re appropriate for they should attempt to do everything possible to win the role by tailoring the choice of monologue to the role they think they’re right for.” – George Pothitos, Artistic Director of Neptune Theatre (Halifax)
Artistic Director Mentorship: 3 Provinces, 3 Mandates, 3 Companies
Playwrights’ Workshop Montreal, Theatre Conspiracy & The Magnetic North Theatre Festival