Jack Paterson Theatre

“This is the magic of theatre” – Jerry Wasserman, The Province

ATLANTIDE

Teatro Trieste 34 (Piacenza, Italy)

“…smashing nationality and accesibility borders in a Total theatre…”
IMA Magazine

INTERNATIONAL DEVISED CREATION & ACTIVE ACCESS PROJECT

ATLANTIDE

Inspired by Plato’s Atlantis
Devised by the International Ensemble
Directed by River Coello, Carolina Migli & Jack Paterson
Global Hive Labs. (Int.), BoucheWHACKED! Theatre Collective (Canada), Aurora Universty (USA), Chez Actors & Teatro Trieste 34 (Italy)

Press

“…a full house for Teatro Trieste 34 and Global Hive…a fusion of epic and contemporary, myth and poetry, in a fascinating total and inclusive theatre, triggering emotions and new perspectives…”
Liberta

“…smashing nationality and accesibility borders in a Total theatre that merges so many artistic languages in a full emotional voyage…”
IMA Magazine

About

Environmental Disaster. Political Corruption. Class Warfare. Sound Familiar?

A devised creation inspired by Plato’s Atlantis, the project featured GHL’s unique approach to incivility “Active Access Design”. Access tools are incorporated into the devising process as creative obstacles, ensuring the work is accessible in every moment.  

This project featured the incorperation of audio description, captioning, and sign in creation. 

Creative Team

GHL is an international collective and network of companies and artists working together in shared practice. Home countries of participating organizations and artists include Italy, France, Spain, United Kingdom, the U.S.A., Canada, Argentina, Brazil, and China.

Practices include International Devised Collaboration, Multi-Lingual, Multi Disciplinary and Physical Theatre approaches, Long Distance Technologies (use of communication Technologies in creation and presentation) and Active Access Design (integrating Access Design such as audio description, etc. as core creative elements).

A project is workshopped in multiple countries over the space of a year. Projects have premiered at Chicago’s Seppenwolf Theatre (U.S.A.) and London’s The Pleasance Theatre (UK).