Jack Paterson Theatre

“This is the magic of theatre” – Jerry Wasserman, The Province

NEWS & BLOG

Projects. Labs. Articles. Thoughts & Inspirations.

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NEWS & PROJECTS

A 2025 Year in Review of Boundary-Pushing Theatre

A 2025 Year in Review of Boundary-Pushing Theatre

2025 was a year of global engagement, creative boundary-pushing, and significant new work development across Canada, Asia, and Europe. I was thrilled to play a part in successfully launching vital transnational projects, facilitated new play and translation development, and fostered cross-cultural exchange.

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NEW CONSTELLATIONS & PERSPECTIVES

NEW CONSTELLATIONS & PERSPECTIVES

PHT STUDIO SERIES
Exploring new ways of making theatre from process to product

May 13, 2023, 2 PM | NTERNATIONAL CREATION & EXCHANGE
May 21, 2 PM | ACCESS & CREATION IN THE PERFORMING ARTS
Coming Soon | AGEING IN THE LIVE PERFORMING ARTS

Pay What you Can

OBERAMMERGAU PASSIONSSPIELE: EXPLORING A SACRED THEATRE (Part 3)

OBERAMMERGAU PASSIONSSPIELE: EXPLORING A SACRED THEATRE (Part 3)

OBSERVING REHEARSALS – DAY 1
The first performance of the Passionsspiele in 1634 was performed on a simple wooden construction at the cemetery by the parish church. A symbol of victory over the plague in a meaningful location, the passion play took place over the fresh graves of plague victims.

Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 2)

Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 2)

OBERAMMERGAU
The Oberammergau Passionsspiele has been performed every 10 years since 1634 by the inhabitants of the Bavarian village of Oberammergau (Germany). The earliest continuous survivor of the age of Christian religions vernacular drama, it’s one of the longest running western performing arts traditions and a UNESCO event of Intangible Cultural Heritage.

Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 1)

Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 1)

PROLOGUE or BACK ON THE ROAD
Perhaps because I’m watching an intergenerational creation with over a hundred community members, or perhaps because I’m watching a known innovator who values the traditional and sacred as well as the new, it seems right to write about another director, another ritual, and another village far from the Balinese sun.

2022: A Year in Review

2022: A Year in Review

Main Stage, New Translation & Cross Cultural Devised Creation from Vancouver to Indonesia

LA SALLE DES MACHINES

LA SALLE DES MACHINES

From the Source to the Target
Shinning a light on new translation

Thursday, November 17, 5 p.m.
Salle Jean-Claude-Germain du Théâtre d’Aujourd’hui
3900 Saint-Denis, Montreal, H2W 2M2 Canada

Active Access Design Labs. – New Writing

Active Access Design Labs. – New Writing

Towards an inclusive theatre.

Working closely with stakeholders in the community, Active Access Design Labs. examine how to integrate Access tools and Cross Sensory Translation directly into the generative process of theatre weaving access into the very fabric of a work.

Our success is measured in the success of others: The Loving Gaze of Lost Boys

Our success is measured in the success of others: The Loving Gaze of Lost Boys

Bouche Theatre Collective commissioned Rhiannon Collett’s translation of Éric Noël’s “Ces regards amoureux de garçons altérés”. Rhiannon received the Cole Foundation Mentorship for Emerging Translators Award and just completed a translation residency with Maureen Labonte and Playwrights’ Workshop Montréal!

offenes terrain

offenes terrain

flausen+fest der freien künste (Chemnitz, Germany)

October 7-10, 2022